I’ve been taking pictures primarily with the Fujifilm GFX 50S II since its launch in 2021 and have had no want to improve anytime quickly. That was till I spent the day utilizing a 100MP medium format beast!
I just lately attended a portfolio-building occasion within the UK sponsored by Fujifilm. On the occasion, company had entry to the finest Fujifilm cameras and GF lenses, and I selected the Fujifilm GFX 100 II as my companion for the day – I used to be immediately hooked!
The GFX system is Fujifilm’s medium format vary of cameras, and upon its launch, opened medium format pictures to the plenty. The GFX 100 II was launched late final 12 months that includes a brand new processor and sensor combo, additional pushing the boundaries of what medium format can do.
I’m used to the distinctive colours, movie simulations, and picture high quality of the GFX system, and so far as the ultimate picture output, it has been my favourite system to make use of in my work. The GFX 100 II steps this up additional by enhancing processing velocity, sooner AF, and including video capabilities remarkable on a medium format stills digital camera.
My sticking level with the GFX 50S II has all the time been focusing, particularly in low-light conditions. Because it was my first medium format since switching from DSLR, I chalked this as much as the character of medium-format cameras and tailored my means of taking pictures to be a slower-paced and extra thought of method to hitting the shutter. I needn’t have bothered as if that was the character of the medium format, it has now developed.
I used the GFX 100 II coupled with the excellent GF 110mm F2 for almost all of the day, and regardless of working with Elinchrom‘s off-camera flash in darkish environments, it by no means didn’t nail focus. I shot in Excessive-Pace Sync (HSS0 in a fast-paced setting with no points, one thing I typically struggled with on the 50S II.
Along with the bigger sensor performing higher in low gentle, the picture high quality on the GFX 100 II is not like something I’ve ever seen on the again of a digital camera. It’s exceptionally sharp, and for these pixel peepers amongst you, the joys of zooming in to 200% and seeing a lot element is unmatched.
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The extent of element captured makes post-processing a dream and permits an nearly unrelenting quantity of cropping after the actual fact, nevertheless, with excessive element comes excessive file sizes so do be cautious if considering of buying.
The ultimate nail within the coffin, or fairly my pockets, was the EVF. Since switching to mirrorless, I’m ashamed to say that I not often use the EVF and as an alternative go for the display. Nevertheless, the EVF on the GFX 100 II is a beast and saved me no finish whereas taking pictures in shiny daylight.
That includes 9.44 million dots and a 1.0x magnification, it’s fingers down essentially the most spectacular EVF I’ve ever used and had me taking pictures like I did in my DSLR days.
The Fujifilm GFX 100 II is on the expensive aspect, fetching $7,499 / £6,999 / AU $12,000, however if you’re a working photographer, investing in one of the best instruments for the job pays off – not less than that is what I am telling myself!
You may additionally be fascinated with our guides to the finest medium format cameras, the finest Fujifilm cameras, and the finest Fujifilm GF lenses.