Transfer over Sony, Canon is attempting to take the lead in bleeding-edge tech for mirrorless cameras. The corporate’s new $4,300, 45-megapixel EOS R5 II provides superior options like eye-tracking autofocus (AF) that may’t be discovered on any latest Sony mannequin. The brand new digicam can also be pushing Sony’s A1 and different fashions in the important thing areas of pace, video and autofocus. And it’s arguably extra fascinating than Canon’s personal upcoming flagship R1 because it has almost double the decision.
I’ve had the R5 II for just a few weeks, evaluating not solely its practicality and pace for each professionals and critical amateurs, but additionally the way it stacks up towards Sony’s A1, the gold customary for high-resolution mirrorless cameras. And albeit, I am impressed.
Canon
The EOS R5 II is Canon’s greatest digicam in years because of enhancements in key areas like autofocus and video.
- Quick taking pictures speeds
- Canon’s greatest autofocus but
- Highly effective video capabilities
- Good picture stabilization
- Nonetheless overheats for high-res video
Design and dealing with
I really like the dealing with of Canon’s mirrorless cameras and the EOS R5 II could also be its sweetest design but.
The physique and controls are similar to the R5, aside from a few modifications. Canon moved the ability change to the highest proper the place it’s simpler to entry, and added a devoted picture/video change on the left. The corporate gave picture and video modes their very own settings, making it a lot simpler to leap from one to the opposite. Canon additionally made a uncommon change to its menu system, including a brand new olive inexperienced tab for management customization. This new tab additionally incorporates the settings for eye management AF monitoring.
In any other case, the R5 II’s format is much like its predecessor. That’s a great factor, because the management placement is probably the most pure of any digicam I’ve used, from the snug grip that gives a safe place to carry, to the properly tactile controls that fall completely handy.
Transferring to the shows, the R5’s 2.1-million-dot totally articulating rear contact display was already sharp and straightforward to make use of, so Canon didn’t mess with that. The R5 II has the identical sharp 5.76-million dot OLED digital viewfinder as earlier than, however the firm boosted the brightness and redesigned the optics to accommodate the brand new eye management autofocus.
The R5 II helps CFexpress Sort B playing cards for capturing 8K RAW video, together with SD UHS II should you’re okay with cheaper and slower media. Different key options embrace headphone and microphone ports, a full-sized HDMI enter and a USB-C port for charging and transfers. Canon additionally launched three new battery grips, together with one with a cooling fan that extends video taking pictures occasions, as I’ll talk about quickly.
I’m a giant fan of the R5 II’s design, and my professional photographer good friend agreed, saying that like most Canon merchandise, the R5 II’s ergonomics are so good the system is snug to carry for lengthy durations of time. He additionally stated he barely most popular the R5 II’s dealing with to his Sony A9 III and A1 cameras, because of how simple it’s to make use of with one hand.
Efficiency
The EOS R5 II provides a mix of pace and backbone that rivals and typically even surpasses the Nikon Z8 and Sony A1. That is principally as a result of new stacked 45-megapixel sensor and up to date Digic X processor to crunch all these pixels.
The R5 II can shoot bursts at as much as 30 fps in digital shutter mode with a blackout-free view. That’s slower than the R1, however I’ll commerce a small hit in efficiency in change for the additional decision. I used to be in a position to seize about 100 RAW frames earlier than the buffer crammed. Speeds drop to 12 fps with the mechanical shutter, however there’s not often any want to make use of it as a result of there’s no difficulty with rolling shutter distortion – because of the stacked sensor. The R5 II’s new pre-capture mode can document as much as 15 pictures whenever you half-press the shutter. That’s nice for photojournalists or wildlife photographers who might in any other case miss a shot by a fraction of a second.
Canon’s “Twin Pixel” autofocus has all the time been good, however on the R5 II it’s the most effective I’ve ever seen. When taking pictures bursts with a topic biking towards the digicam, 80 % of my photographs have been in focus. And the EOS R5 II now tracks animals, birds and automobiles, on high of faces, eyes and our bodies of individuals.
The digicam additionally has a few new autofocus methods, together with one known as motion precedence. That retains the AF targeted across the ball in three particular sports activities: volleyball, basketball and soccer. I didn’t discover any explicit AF enchancment, as my hit fee gave the impression to be about the identical with out it, however devoted sports activities photographers would possibly see the distinction.
One other new perform retains the monitoring level in your topic even when somebody crosses in entrance of them. That did appear to work effectively more often than not, however it could often wander away and lock onto another person.
When Canon launched the R5 II and R1 in July, it launched pre-registered individual precedence AF that lets your digicam memorize as much as ten particular individuals, like star athletes for example. This characteristic functioned as marketed, switching AF to a registered individual and monitoring them as an alternative of different individuals within the scene.
Lastly, I examined Canon’s well-known eye management AF that detects the place the photographer is wanting and strikes the topic monitoring level there. That is an undeniably cool characteristic and has improved in comparison with the primary implementation on the EOS R3, however continues to be too unreliable for skilled use.
In reality, the professional photographer good friend I discussed identified that although eye management feels futuristic, it’s nonetheless a bit too flakey for paid gigs the place focus reliability is paramount.
On the R5 II, in-body stabilization is the most effective I’ve seen on any Canon digicam, holding the sensor rock-steady for handheld taking pictures, with as much as 8.5 stops of shake discount. It was so dependable that I by no means felt the necessity to carry a tripod when utilizing sluggish shutter speeds.
I’ve all the time discovered Sony cameras to be barely superior to Canon with regards to autofocus and pace. I can now not say that, because the EOS R5 II may be very even with Sony’s newest fashions. My Sony-using photographer good friend agreed, saying he couldn’t see any actual distinction between the R5 II his A1 or A9 III.
Picture high quality
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Picture high quality on the R5 II is essentially the identical because the R5, and that’s a great factor. The 45-megapixel sensor produces pictures pretty much as good as or higher than the Sony A1 at a less expensive value, and compares favorably to Nikon’s equally priced Z8.
When taking pictures in RAW mode at decrease ISOs, the R5 II provides good dynamic vary in excessive distinction vivid and darkish scenes. Like different stacked sensor cameras, although, there’s a bit extra noise than with common CMOS sensors. High quality additionally drops barely in digital shutter mode, so it’s higher to make use of the mechanical shutter in difficult lighting situations.
Excessive ISO efficiency isn’t too unhealthy for such a high-resolution digicam both, with noise staying beneath management as much as ISO 12,800. After that, the R5 II doesn’t fairly measure as much as fashions just like the Nikon Z7 II or Sony A7R V, as each of these supply cleaner pictures with much less grain.
When you don’t need the trouble of processing RAW, JPEG rendering is great straight out of the digicam, with effectively balanced sharpening and noise discount. For low-light taking pictures, pores and skin tones are flattering in any respect ISO settings, and the most effective amongst all cameras on this value vary.
One new notable characteristic on the R5 II is the AI-powered upscaling utilized after the picture is taken. The outcome isn’t fairly pretty much as good as a devoted app like Topaz, nevertheless it’s not unhealthy contemplating it’s in-camera processing.
Video
The unique EOS R5 would have been a darn close to good video digicam if not for its pesky overheating points. Canon has improved this to a level with a brand new passive cooling design and $400 fan grip. With these updates, warmth is barely actually a problem on the highest resolutions (8K 60p and 4K 120p). Nevertheless, these limitations are much less extreme on the rival Nikon Z8.
Apart from the heating difficulty, the EOS R5 II has spectacular specs. It might probably shoot as much as 8K 60p and 4K 120p video, however does so with far much less rolling shutter than the R5, once more because of the brand new stacked sensor. The digicam now has Canon Log 2 (CLog 2) functionality that permits for greater dynamic vary seize than the R5.
Video autofocus is excellent in any respect resolutions, with fast acquisition of the topic and dependable monitoring. Face- and eye-detection work very effectively, and I solely often seen AF lag with fast-moving topics.
As for stabilization, I may shoot easy footage whereas handheld in optical mode with no crop, supplied I didn’t transfer the digicam an excessive amount of. Digital stabilization allowed for extra motion whereas solely cropping in a contact, and the improved setting let me shoot easily whereas strolling with a 1.5x crop. Panasonic’s S5 II continues to be the most effective on this regard, however the R5 II is shut behind.
As for high quality, video on the EOS R5 II is extraordinarily sharp, significantly with supersampled 4K HQ. Different 4K modes are subsampled, however almost as sharp. Rolling shutter is effectively managed, so that you gained’t actually discover it until you do whip pans or jostle the digicam whereas taking pictures.
Canon’s glorious coloration science delivers heat pores and skin tones and correct colours. RAW video permits plenty of room for changes in publish, whereas the CLog 2 brings dynamic vary as much as 14 stops to allow taking pictures in contrasty situations. With all this, the Canon R5 II is now my go-to digicam for taking pictures video — even over Sony and Panasonic fashions.
Wrap-up
The $4,300 EOS R5 II is Canon’s greatest digicam in years, because of enhancements in key areas like autofocus, video, taking pictures speeds and general really feel. Newly launched tech like eye management AF is much less helpful, nevertheless it’s nonetheless good to see Canon attempt to innovate, and the characteristic ought to enhance in subsequent fashions.
The R5 II is up towards some nice competitors on this value vary, particularly the $4,000 Nikon Z8 that holds its personal towards this digicam in most conditions. Nevertheless, Canon’s autofocus is barely quicker and extra dependable, and I tremendously favor the R5 II’s dealing with. The one different full-frame possibility with a stacked sensor and related decision is the Sony A1, which prices $2,200 extra.
The principle points with the R5 II are overheating, the wonkiness of motion precedence and unreliable eye management autofocus. Nevertheless, it now stacks up extraordinarily effectively towards Sony’s A1 by way of pace and autofocus, whereas providing superior stabilization and dealing with. Which one you select might merely come right down to model desire or current lens assortment.