YouTube channel Crew 2 Movies has launched a video breaking down the frankly monstrous spec of the Blackmagic Ursa Cine 12k LF. It is a correct cinema digicam designed to compete with the likes of Sony, Arri and Crimson. However whereas massive format movie cameras are notoriously costly, the Blackmagic Ursa Cine 12k LF begins at simply $6,995 within the US. And whereas the digicam boasts a groundbreaking bumper characteristic set, it’s Blackmagic’s new RGBW sensor that has actually set tongues wagging.
The Blackmagic Ursa Cine 12k LF’s 12K decision will likely be overkill for many filmmakers. Heck, most film productions aren’t even shot in 8K, not to mention 12K (12288 x 8040). So, groundbreaking or not, that’s a spec that’d put extra filmmakers off than it could truly entice. However maintain your horses.
What’s intelligent about Blackmagic’s newest cine digicam is its potential to modify seamlessly to 8K and 4K resolutions with none of its rivals’ resolution-changing caveats corresponding to cropping into the sensor and downsampling. And it’s all right down to that large-format 36x24mm RGBW sensor. See the breakdown under:
ABOVE: See the magic behind Blackmagic’s new RGBW sensor
RGBW sensors are nothing new, however they require much more processing oomph than the standard Bayer filter array, favored by most digicam producers. As Crew 2 Movies places it, Bayer filters have: “twice the variety of inexperienced pixels as they do pink or blue. That sample repeats on a two-by-two grid. The Ursa’s coloration filter array repeats on a six-by-six grid. Half the picture websites are white, the opposite half are an equal variety of pink, inexperienced and blue.”
The YouTube channel highlights how the introduction of white picture websites will increase a sensor’s light-gathering capabilities, leading to a better dynamic vary. And as everyone knows, increased resolutions imply smaller photosites and decreased light-gathering potential, making these white picture websites extremely vital as a result of Ursa’s eye-watering 12K decision.
However the actual thriller is how the Ursa is ready to change resolutions at will, with seemingly no caveats corresponding to pixel skipping or downsampling. Crew 2 Movies’ video explains this in much more element than I ever might. Merely put, although, the digicam reads pixels individually when taking pictures at 12K, however Blackmagic has organized them to allow them to be learn in teams of two when shot at 8K. And whereas the channel explains that that is basically pixel binning, it states: “that may make it sound like sensor knowledge is being discarded, nevertheless it’s not (…) the worth of two completely different picture websites is being summed collectively earlier than being despatched onwards.”
Grouping picture websites for 8K taking pictures then makes it attainable for the digicam to shoot at 4K, however I’ll allow you to watch the video at 07:50 to seek out out exactly how. The remainder of the video goes on to debate the entire digicam’s different extremely neat options, with the group even utilizing it to shoot real-world footage, so be sure you give it a watch!
The massive query on my thoughts now could be will different cinema digicam producers comply with go well with?
You might also like…
Into filmmaking? Take a look at the greatest cinema cameras. And when you’re a Blackmagic fan, check out the greatest Blackmagic cameras. Plus, do you know that AI can flip the colour palette from ANY film right into a Lightroom preset?