Revisiting Ice Crystal Images in a Frozen World


A number of months in the past on Images Life, I wrote about my experiences photographing a sheet of crystalline ice buildings on the frozen floor of a pond. Not lengthy after writing that article, a uncommon sunny day with a brilliant blue sky despatched me out to the pond once more.

With no expectations aside from to benefit from the day, I used to be pleasantly shocked to discover a small expanse of ice was nonetheless preserved in a quiescent nook of the pond. The morning solar had already begun to soften the ice, however a plethora of photogenic patterns and shapes remained!

Ice 1-Crystals
DC-G95D @ 45mm, ISO 200, 1/500, f/5.6

A better view exhibits the reflection of a brilliant sun-lit tree trunk, emphasizing the ample and enormous crystal formations, in addition to the open water occurring inside some buildings.

Ice 2-Crystals
DC-G95D @ 95mm, ISO 1250, 1/400, f/8.0

On the water’s edge, the submerged yellow reeds present how skinny the melting, translucent ice movie was on the time.

Ice 3-Crystals
DC-G95D @ 124mm, ISO 3200, 1/400, f/8.0

As you possibly can picture from the primary two photographs, attempting to pick aesthetically-pleasing compositions from among the many many prospects proved fairly tough – there have been too many selections, and the ice was melting quick!

As an alternative of losing time trying to find perfection, I set my Panasonic Lumix G95 and the hooked up Lumix PZ 45-175mm f/4.0-5.6 to Aperture Precedence, selected f/5.6 to f/8.0 for ample depth of subject, and began taking photographs.

I let the digicam’s Auto ISO vary wherever it needed, figuring out that the ample daylight and brilliant reflective ice floor would maintain the ISO inside cheap limits. With an ISO-linked minimal shutter velocity of 1/400s and Twin IS enabled, I felt assured of sharp photographs.

The next 4 photographs illustrate the impact that slight taking pictures place adjustments had on the looks and perspective of the pictures.  The dots of sunshine glowing within the second {photograph} had been surprising mini-sunstars – subsequent time, I’ll strive an aperture of f/11 or smaller to emphasise these!

Ice 4-Crystals
DC-G95D @ 175mm, ISO 200, 1/640, f/5.6
Ice 5-Crystals
DC-G95D @ 175mm, ISO 250, 1/400, f/5.6
Ice 6-Crystals
DC-G95D @ 175mm, ISO 250, 1/400, f/5.6
Ice 7-Crystals
DC-G95D @ 175mm, ISO 200, 1/400, f/5.6

The next crop is a more in-depth view of the previous picture. It exhibits areas of ice-free open water in among the many triangles.  The blue sky mirrored off the water’s floor seems as clean, featureless areas.

Ice 8-Crystals
Crop of the prior picture

The interiors of the 2 triangles present open water, or a particularly skinny ice veneer.

Ice 9-Crystals
DC-G95D @ 175mm, ISO 400, 1/400, f/5.6

With such an unlimited assortment of potential photographs to take, it grew to become very tough to decide on any “finest” one, even after culling them again house. Consequently, I chosen the next images as summary compositions to show the number of beautiful structural kinds and complicated intersecting angles.

Ice 10-Crystals
DC-G95D @ 175mm, ISO 200, 1/400, f/5.6
Ice 11-Crystals
DC-G95D @ 175mm, ISO 250, 1/400, f/5.6
Ice 12-Crystals
DC-G95D @ 175mm, ISO 200, 1/400, f/5.6
Ice 13-Crystals
DC-G95D @ 175mm, ISO 250, 1/400, f/5.6
Ice 14-Crystals
DC-G95D @ 175mm, ISO 1600, 1/400, f/8.0
Ice 15-Crystals
DC-G95D @ 124mm, ISO 2000, 1/400, f/8.0
Ice 16-Crystals
DC-G95D @ 175mm, ISO 1250, 1/400, f/8.0
Ice 17-Crystals
DC-G95D @ 175mm, ISO 1250, 1/400, f/8.0
Ice 18-Crystals
DC-G95D @ 175mm, ISO 1250, 1/400, f/8.0

These images had been flippantly processed with Radiant Photograph for coloration and distinction changes. I cropped most photographs to isolate particular visible options, whereas performing noise discount and sharpening utilizing Topaz Sharpen AI.

All in all, I loved a beautiful few hours of pictures chasing fast-melting ice buildings. There’s one thing poignant about photographing ephemeral topics like these, earlier than they vanish eternally within the heat morning sunshine!


About Carl F. Brink

A profession in gemology, geology, and metallurgical engineering enabled Carl to develop his pictures expertise documenting varied geological exposures and outcrops. He excelled at macro and photomicrography of rock and mineral specimens.

His image-making efforts over time in his photographic area of interest had been rewarded by choice for industry-related publications; he has quite a lot of journal cowl photographs to his credit score.

Presently residing in Michigan, he now concentrates his pictures on the character and wildlife alternatives so ample within the state. You’ll be able to contact him right here.

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